TRUE HOUSE STORIES W/ PEDRO MONDESIR # 065 - PART 1
Pedro Mondesir the promoter behind the successful brands of Garage 416 and Break 4 Love shares with his life before being a club promoter. His humble beginnings are influenced by his older brothers and his parents music selection. In the late 1980s he is invited to a few parties and the life long career would begin because of the first moments of experience clubland and loving it.

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TRUE HOUSE STORIES™ W/ TEDDY DOUGLAS (BASEMENT BOYS) # 036 - PART 1
This story begins with Teddy Douglas sharing his humble beginnings at the record shop. How he arrived with the production name Basement Boys and meeting Thommy and Jay. How important The Tony Humphries Mastermix radio show on New York Radio 98.7 WRKS FM and having your record played. His first record deal on Jump Street Records and meeting superstar diva vocalist Ultra Nate'.

✭ VIDEO TIMELINE ✭
0:00 Welcome to True House Stories with Teddy Douglas
3:28 First single Jump Street Records Love Don't Live Here No More
3:40 Tony Humphries, Zanzibar Night Club, 98.7 Kiss FM New York City
4:36 Teddy Douglas Singing Career
8:18 Disco Dancing Teddy
8:00 Carl couldn't go to his father's funeral because he can´t leave Australia
9:18 Teddy Speaks about his musical training
10:41 Record Music Career Begins in the shops and DJ early days
13:52 Odell's Monday night party
14:51 First Record Store Job Starts & Basement Boys is beginning
16:00 Tastemakers
17:03 Movin Records New Jersey
17:50 Corporate Level Work Begins
19:18 Dreams of having demo records played
20:56 Teddy meets Thommy Davis and Jay Steinhour
22:13 How Basement Boys name arrived
23:08 First Record Deal
23:53 Tony Humphries Launched Careers for many in house music
25:00 Hearing your song on the radio
25:30 Teddy Describes the closing party at the Paradise Garage
27:30 Talent Search and Profile Records
28:00 Discovering female artist Ultra Nate'
28:35 Teddy is not a singer

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TRUE HOUSE STORIES W/ DJ MEME # 084 - PART 2
Dj Meme talks about his global international appeal in the house world. How he was able to persuade Defected Records to let him remix the single Fish Go Deep feat Tracy K. This is now how he creates the DJ Meme Orchestra Sound. The Remix for Defected does the business with the Dj’s around the globe and his name is heard and spoken everywhere. His first international DJ gig was in Hamburg at the Famous Betty Ford Clinic. Once he gets a taste of traveling it does not stop, he pushes and creates new relationships with all the names in house music. He recollects his time with Manager Judy Weinstein of Def Mix Productions and his close friendship with Frankie Knuckles. Dj Meme is a true icon and has produced huge hits and helped create a lot of stars with his music. He is known as “Mr. Midas Touch” Everything he touches turns to Gold…

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TRUE HOUSE STORIES W/ CRYSTAL WATERS # 071 - PART 2
Crystal Waters in this part shares with us her life after success and at the same time trying to define herself as a true dance pop artist. She was in the middle of a divorce and battling with her production company and record label over the contracts through her lawyers. As you will hear from herself this is never an easy thing to be dealing with especially when there is a lot of money involved. It's a constant battle to learn the new techniques that are happening in the music business and at the same time trying to balance it all, especially working with different personalities like managers and promotion people, but she finds her way through it all. Eventually, she is dropped from her record label Mercury Records and works on her singing career one song at a time. She discovers new success through working with different producers. One European Italian DJ steals her song and remixes it, adds his name next to her as a feature and it becomes a huge hit. Actually, it hits #1 in 41 countries on the pop charts. Listen to how her song "Destination Calabria" brings another huge success to Crystal in the ever-changing times and new landscape with streaming. This episode is a true history lesson and learning tool all in one.

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TRUE HOUSE STORIES W/ JENS LISSAT # 068 - PART 1
Jens Lissat explains his young life as a child in Hamburg Germany. His mom was a DJ who played at a afternoon tea dance with one Gramophone. His older sister has a huge influence on him and since she was seven years older she was already up on the new sounds of disco. She was bringing home new music that he was listening to and Jens personally was more into Glam Rock. His sister takes him to a new club and he sees an American DJ for the first time from New York at the Trinity Club. He has to find out what exactly the DJ was doing with the slip cueing and all. This sets him on his journey to learn how to beat match and make his way into becoming a resident DJ. Listen to him explain it all in detail.

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TRUE HOUSE STORIES™ W/ GREG WILSON # 023 - PART 2
Greg Wilson (born 1960) is an English DJ and producer associated with both the early 1980s electro scene in Manchester and the current disco / re-edit movement. He's also a writer / commentator on dance music and popular culture.

1993–2003
The following decade was something of a wilderness period for Wilson, but in 1994 he revisited his electro-funk past, compiling the Classic Electro Mastercuts album. This would generate a small number of DJ bookings, his first in 10 years, in promotion of the album.
In 1996, he was part of a collective of DJs and musicians who promoted a series of nights called The Monastery in Birkenhead, Liverpool and London. A mix, The Monastic Mix, was the last he ever put together on reel-to-reel.

2003–present
DJ comeback
Alerted by the lack of documentation of the specialist black music scene that had helped shape contemporary dance culture, he announced the website electrofunkroots.co.uk in 2003. The site documents the early '80s era, what led up to it and what came out of it. Offers of DJ bookings followed and on 20 December 2003 Wilson made his DJ comeback at a night called Music Is Better in Manchester club The Attic. This was the launchpad that re-ignited Wilson's DJ career 20 years on from his retirement. As his popularity increased, he appeared throughout the UK, Europe and the world, gaining newfound followers from a new, younger generation of clubbers.
In 2005, his re-edits compilation Credit to the Edit, released on the Tirk Recordings label, was the catalyst for his international success, helping to establish him, once again, as a scene leader.
Apart from working as a DJ and remixer, Wilson has written on various aspects of dance / black culture with articles published in magazines / webzines including Wax Poetics, Clash, Grand Slam, Strobelight Honey and Discopia. His Discotheque Archives series for DJ Magazine ran for 25 editions between 2016-2018.
His blog, Being a DJ, was launched in June 2010, and his observations on various aspects of club culture are now an online touchstone for dance music enthusiasts. Wilson has also been interviewed for a number of books, TV and film projects focusing on the history of club culture.

Musical output
Credit to the Edit Volume 2 was released in November 2009, with tour dates throughout the following months in the UK, Europe, Japan, Australia and the U.S. to promote the album. The series returned in April 2018 with Credit to the Edit Volume 3 and during that year Wilson became more active in the studio, working on various remix and re-edits projects, including some collaborations with his son Ché Wilson, the first of which to be released was a remix of "Out the Window" by Australian band Confidence Man, released on Heavenly Records.
Wilson has produced a series of documentative podcasts, Time Capsule, Random Influences and Early 80s Floorfillers, as well as the long-running blog series, Living to Music, where people were encouraged to listen to a monthly album selection in their home environment. This served to influence other related listening events, including Colleen Murphy's Classic Album Sundays audiophile sessions.
Commencing in 2009, Wilson had built a strong following on SoundCloud with regular uploads of DJ mixes, mainly live recordings, with over six and a half million plays up to 2019.

In addition to his DJ work, Wilson has given talks on music and dance culture at numerous events including Afro Modern at Tate Liverpool, Vintage at London Southbank, Salon at Standon Calling and Festival N°6 and alongside legendary figures Nile Rodgers and Giorgio Moroder at ADE in Amsterdam.
Source: Wikipedia

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TRUE HOUSE STORIES W/ MIKE DUNN # 080 - PART 2
Word soon spread about his talents and Mike Dunn was booked for various clubs in and around Chicago, DJ’ing with house music innovators such as Ron Hardy, Larry Heard and good friend Armando Gallop. It wasn’t long before Mike got the production bug, resulting in his first release in 1987, “Dance You Mutha” on Westbrook Records, he also started to produce and engineer for other Chicago artists, such as Armando, Fast Eddie and K-Alexi Shelby. More house and techno productions followed in the late 80s with Mike’s distinctive vocal delivery and trademark hip-house, acid, production style, to create tracks such as ‘Let It Be House’, ‘Magic Feet’ and “Face the Nation”, sometimes under the name Mike Dunn but also under aliases such as MD Connection, MDIII and QX-1. He continued to produce and release throughout the 1990s, with releases on labels such as Nervous, Nitestuff and Tribal America, whilst also working with other producers and vocalists such as Syleena Johnson, Byron Stingley, Mina Jackson, Kool Rock Steady and Kym English to name a few. Puff Daddy in the late1990s stepped to Mike and signed him to a production deal with the artists he managed and produced in hip hop artists. Listen to Mike break the P Diddy Story down and take you to the future.

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TRUE HOUSE STORIES™ W/ DJ SPEN SPECIAL SHOW 2021 # 002 - PART 2
US house icon DJ Spen first laid his hand on the decks at the age of thirteen while growing up in his native city of Baltimore - he hasn’t looked back since. Also known as Sean Spencer, the talented DJ and producer began his illustrious career in the mid-’80s as a hip-hop radio DJ making beats under the moniker Numarx, responsible for writing and recording 'Girl You Know It’s True', later covered and made into a smash hit by Milli Vanilli. The years that followed saw DJ Spen move away from hip-hop and towards the classic Chicago house sound that would define his productions for years to come, after joining forces with famed production collective The Basement Boys. Working under the name Jasper Street Co., DJ Spen released his first 12″ through Basement Boys Records in 1995, the energetic gospel house cut “A Feeling”. This was the first in a lauded series of releases for the label that brought Spen commercial and dancefloor success over the next decade, earning him international recognition as a house music pioneer. In 2004, DJ Spen split from Basement Boys, releasing through Black Vinyl Records and his own label Code Red before founding his second imprint Quantize Recordings, which has since become a regular outlet for his music. Alongside his own productions, DJ Spen has built a reputation as a talented and prolific remix artist, putting his own unique stamp on pop anthems from Diana Ross, Michael Jackson, Everything but the Girl, Toni Braxton and more. If that isn’t enough, he’s still spinning eclectic and soulful jams in clubs across the globe, further establishing his status as an eminent figure in house music, both past and present.

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TRUE HOUSE STORIES W/ KEN WALKER AKA KEN@WORK # 079 - PART 1
Ken@Work is the alias of Melbourne DJ & Producer Ken Walker. Ken shares with us his beginnings from starting in grade school as a disco DJ. His first chance of playing music for a crowd was when his school had a dance and he was put to the task to spin the music. He finds a nitch with a South African DJ living in Melbourne that had all the new promos from USA. This is how he figures out what direction of music he is going to play and how to mix it. He then is working as a stage hand on the live circuit around Australia and this is the first taste where he works with bands from USA, and Europe.

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TRUE HOUSE STORIES W/ FREDDY BASTONE # 063 - PART 2
Danceteria legend DJ Freddy Bastone shares what the NYC Club life was like back in the 1980s. His work in the studio remixing during the day earns him the gold and platinum awards for his special Bastone remixes. Freddy also gets to work on one of the greatest bands of all time Queen and meets his hero Freddie Mercury. He talks candid about his friendship with Larry Levan, Bob Caviano and Larry Yasgar and all the records he helped signed as an A&R for the labels he had personal relationships with. The interview is a deep discussion and nothing is held back.

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TRUE HOUSE STORIES W/ MIKE DUNN # 080 - PART 1
Chicago house music legend Mike Dunn, has been DJing and producing music for over twenty years. Hailing from Englewood, Chicago, Mike started out DJing at the local block parties that took place playing disco, funk, soul and prototype Chicago house tracks. “I was one of the first cats bringing two reel-to-reels and spinning with them at the parties. I was bringing out two Pioneer 707s, doing the Hummingbird, Jacks, The Courtyard, etc. I’d bring a drum machine, too. I would make tracks right then as the party was going. Way before my guys Daft Punk and all of them were doing live gigs, I was doing that at the basement parties – just bringing drum machines and doing everything live.

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TRUE HOUSE STORIES W/ BENNY SOTO # 088 - PART 1
For Benny Soto, it began, as it has for many New York club land veterans, with a visit to 84 King Street in downtown Manhattan. He says, “I had already been going out, but the first clubbing experience that really mattered was the Paradise Garage…just walking in there, it looked different, it sounded different, it felt different. As soon as I walked in, I knew I was home.” For Soto, then a poor kid from the South Bronx, the Garage opened up a whole new world. It was through the club that he met, and befriended, the late Keith Haring, eventually serving as the iconic artist’s studio assistant. It also expanded his aural horizons: “Because of the way that Larry Levan played,” Soto says, “I became more musically open-minded.” But perhaps importantly, the Garage provided an avenue for escape. “Back then, I didn’t have much joy in my life,” he admits, ‘Clubbing gave me a way to get away. Places like the Garage, though they were primarily gay, were so inclusive; it didn’t really matter who you were, what mattered was the freedom that you could find there.” And that feeling—that passion for freedom, both musically and personally—would set Soto on a path that has led to a lifetime in club land. He had no idea that it would also lead to a career, but even in those early days, he recalls, “I was very curious. If I was at a club, I would be checking out the sound and looking at the lights, trying to see how it all comes together -it was like a Broadway show, except the show was the crowd itself.” Eventually he secured a gig doing odd jobs at another iconic address, 6 Hubert Street, only blocks away from the Garage. The spot had once housed Area and Club Shelter; during Soto’s time there, it was Vinyl, home to the iconic Body & Soul. It was Body & Soul resident Danny Krivit who convinced Soto to take the next step. “He said to me, ‘I think you should be a promoter. People like you, and you have great energy. You’d be good at it.’ Of course,” Soto adds, “I had no idea what ‘being a promoter’ even meant!” Listen to him tell you what he learned and how you should be..

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TRUE HOUSE STORIES™ W/ MOUSSE T. # 058 - PART 2
Mousse T forms a band with long time business partner from the UK Erroll Rennalls. As they have moderate success with Pop House Music, this is the beginning of them forming the label Peppermint Jam. As the label unfolds and Mousse T sound grows in popularity, he is summoned more and more to remix many A List Pop Stars such as Quincy Jones, Jovanotti and one being Michael Jackson. As he will explain from Michael Jackson's Remix that this is the blueprint that becomes the song "Horny." He also shares how he meets Tom Jones and how "Sex Bomb" was created and written. Make sure to listen to how Mousse works on his productions and the DAW he is using.

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TRUE HOUSE STORIES™ W/ ULTRA NATÉ # 049 - PART 1
Ultra Naté - ultra savvy. Hear Ultra’s take on the covid pandemic from a medical perspective- probably the best outlook on such a troublesome time which has severely impacted the music industry and arts. Ultra Naté lays out how she has evolved to keep in tune with how the future land lies.
Hear about the pitfalls of signing contracts in the music industry and how Ultra has ‘fallen up’ from those times. She shares with us her beginnings from a club kid to singer and locking her first contract down to becoming a superstar in dance music from the late 80’s into the 1990’s

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TRUE HOUSE STORIES W/ JOHNNY “D” DE MAIRO (HENRY STREET RECORDS) # 070 - PART 2
Johnny D De Mairo in this part speaks about his professional music life, the beginnings of Henry Street Music, his promotions duties at SIN Promotions, and to eventually being hired to work at Atlantic Records in Crossover A&R Promotion. He shares with us what the responsibilities are expected when you are working to hold down these positions. He signed one of the most incredible songs in dance music The Bucketheads “The Bomb” to his label Henry Street and was an A&R consultant on all the remixes that he managed to put under his belt working with the best in the game from Armand Van Helden, Louie Vega and Kenny Dope, E-Smoove, MK and so many others. He explains the story of Everything But The Girl “Missing” with Todd Terry and tells us the behind the scenes of how Tori Amos “Professional Widow” and Armand Van Helden Mix went to the stratosphere. One of the best shows to date.

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TRUE HOUSE STORIES W/ BENNY SOTO # 088 - PART 2
Benny Soto quickly learned, and learned from one of the best; the late, great super promoter Rob Fernandez. “The first big thing we did together was Roger Sanchez at Vinyl. I can even remember the date: 2/2/02. I was learning so much—contracts, dealing with managers, hospitality riders, everything.” Soto continued working with Fernandez until his sudden passing in summer of 2015—but at the same time, he was gaining the confidence to branch out on his own. Danny Krivit was an early partner (2002), teaming up with Soto to launch what became the still-vibrant 718 Sessions; another stone-cold vet, DJ Harvey, was an early accomplice as well. From its inception, until its closing, Soto was an integral part of the promotion and bookings team at the now revered, and recently closed, Output in Brooklyn, NY. The dates started coming fast and furious—flash forward to today, and Soto, who currently spends his time promoting shows around NYC and juggling various independent projects, is in the very top tier of NYC’s party wranglers. So what’s the next step for a guy who’s spent the better part of his life in dance clubs? DJ’ing, of course! “I’ve been going out and listening to DJs for 30 years,” he says, “and after that amount of time, I think you almost have to learn something. You gain a sense of what to do.” But as anyone who has spent time in the DJ community knows, there can sometimes be attitude toward those perceived as usurpers. “Sure, there’s been a bit of controversy, like people asking, ‘Oh, so now you’re a DJ, too?’ I just answer, ‘No. I’m Benny Soto.’ I’ve given my life to music, and this is just another layer of that life.” Nowadays, you can find Soto opening up for superstars or holding it down at after-parties, often spinning back-to-back with his fellow dance-music lifer, Nervous Records label head Mike Weiss. “Very few people have the legacy that Mike does,” he says. “I mean, the Nervous catalog…those were some of the songs that shaped the sound of global club music.” But Soto’s got his own musical identity as well. “I love to play music that feels good to me, that matters to me, that say something to me. Danny Tenaglia said the best thing to me: ‘You have to listen, and you have to find the candy.’ And that’s what I try to do—find music that’s special, that can take you to a different space.” Watch his life for Act 3 “The Final Curtain Call"

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TRUE HOUSE STORIES W/ PEDRO MONDESIR # 065 - PART 2
In this episode he explains the beginnings of creating the party. Pedro is the head of Hot Stepper Productions with his brother and partner Carlos. Pedro also DJ’s under the pseudonym Moreno. Hot Stepper Productions is one of Toronto's premier club event companies operating for over 20 years. Currently Hot Stepper organizes Toronto's top deep/soulful house event "Garage 416" which has been rockin' it for over 15 years. He also organizes the soulful/funky "Bump N' Hustle" event for the last 18 years and continue to present soulful, jazzy, leftfield, electro, Afro and Brazilian vibes to the Canadian audience.

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TRUE HOUSE STORIES® W/ PAUL IBIZA # 110 INTERVIEWED BY LENNY FONTANA

Paul Ibiza is the man responsible for bringing the world the legendary records label Ibiza Records, he is the promoter that organized cutting edge events Fantastic Ibiza, Jungle Splash and MC Convention to name but a few. More recently Paul aka Digital Niyabinghi has been producing “Jungle Dub” and taking his Digital Niyabinghi Sound System on tour. Although Paul could be labelled as a Producer, Promoter, DJ, Label owner, Paul simply describes himself as an entrepreneur within the music industry.

Paul got started in the rave business in 1988 around the time of events such as Sunrise and Genesis were putting on raves in fields and warehouse in the London region. Although Paul actually got started in 1988 his journey started way before in the early 80’s in the days of Soul II Soul and Paul Anderson among other house and warehouse parties which is where Paul was first influenced by the Reggae and Soul played at these parties then known as or “Blues” or “Shebeens” (Shebeen being the Irish term for an illicit bar or club where excisable alcoholic beverages were sold without a licence). In 1989 Paul was involved in organising the ‘Freedom to Party’ rally in Trafalgar Square which aimed to relax licensing laws in order to allow nightclubs to stay open longer. Paul then started promoting the ‘Fantastic Ibiza’ raves in Goods Way, Kings Cross with DJ’s such as Carl Cox, Colin Dale, Kenny Ken, Grooverider. Many of these weekend long parties were attended by upwards of 3000 people and did not always have an entry fee but rather the money was made by donations and drinks sales.

After the Police attention was getting excessive due to overcrowding both inside and outside the venue in Kings Cross, Ibiza records was born in 1989 after Paul went to the Balearic Island of Ibiza and ended up breaking his leg. While Paul was immobile he started learningPaul Ibiza how to produce music using Cubase on the first Ataricomputers capable of sequencing music along with an Akai S950 sampler and Spirit mixing desk.

Soon Ibiza Records would set up their offices and studio in Hornsey, North London. When Ibiza records first begun they were making Techno, Hardcore and House types of music, coupled with Dub & Reggae influences the music now known as Jungle emerged which Ibiza Records was championing along with labels and artists such as Shut up and Dance, Rebel MC, Reel 2 Reel and a Guy Called Gerald. Ibiza Records went on to establish a number of successful spin off labels such as Boxbase, Highly Blessed, Hard Plastic, Three Lions, Kemet, 3rd Party, Limited-E. Paul also opened up a record shop ‘Ibiza Records’ in Kingsland Road, Shoreditch, London in the early 90’s. In 1994 Jungle Splash was born and still continues to this day. Paul’s vision for Jungle Splash was to showcase the best of Jungle music much like an exhibition for the scene. Jungle Splash has moved from many venues over the years such as The Rocket complex in Holloway, Roller Express, The Mass and is currently held at Jamm in Brixton, London. In 2003 Paul promoted the MC Convention event convention under the ‘Highly Blessed’ brand in conjunction with Mc Shabba and Skibadee.

The event met with some resistance from some people that thought putting the focus on the MC’s as opposed to DJ’s was bound to ensure that the event would flop. To the contrary, all tickets to the event at the Stratford Rex sold out and MC Convention toured Birmingham, Cardiff, Southampton and Essex. Paul’s latest innovation is the new sound he calls “Jungle Dub” and has been touring with his own Digital Niyabinghi Sound System which goes back to the roots of Jungle and Dub. The Sound System features artists such as Winston Runtingz, Uncle Dugs, Junior Dangerous, Ragga Twins, Potential Bad Boy, Terry T, MC Moose, Beefy and Daddy Nature and of course Paul ‘Digital Niyabinghi’ himself.

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TRUE HOUSE STORIES™ W/ DJ DISCIPLE # 041 - PART 1
David Banks professionally known as DJ Disciple shares with us his family life and the success his brothers had in the music industry and in the church. Listen to Disciple explain his beginnings from being bussed to school in a different area of Brooklyn to becoming a drummer and then off to becoming a DJ and his start on College radio.

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TRUE HOUSE STORIES W/ CRYSTAL WATERS # 071 - PART 1
Crystal Waters a true icon in house music speaks about her humble beginnings from a young child and being exposed to some of the greatest musicians because of her dad who was a famous jazz musician. She toured with her dad as a young artist and was able to get an education of what it is like to be an artist. As she finished college she takes a job with the State, at the Parole Board. Hungering to write music she hooks up with a keyboard player and they begin to start writing demos on a 4-track recorder. She then proceeds to go to a music conference in her hometown and is attracted to the Basement Boys because of their leather jackets that they were sporting at the time. She hands them her cassette demo and the rest is history. "Gypsy Woman" is created and a deal is signed. Crystal shares with us how her life changed from that moment the single dropped and became a huge pop hit.

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