TRUE HOUSE STORIES™ W/ ERIC KUPPER # 019 - PART 2
Tune in and hear about this absolute legend as he worked to produce some of the biggest, most pivotal songs in house music. Creator of the Whistle Song - Listen to how he worked with legends such as Frankie Knuckles, David Morales, Mark Kamins and Rupaul and the stories behind Eric’s legendary productions. Discover how he formed Director’s Cut. A truly inspiring story that needs to be heard!!
Tune in now and hear exactly how to add that magic into your productions.

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TRUE HOUSE STORIES W/ NICKY SIANO # 078 - PART 2
When Steve Rubell opened Studio 54, he asked Nicky Siano to be one of its Resident Jocks, which he agreed, while remaining at The Gallery during the weekends. Nicky was DJing during Bianca Jagger's infamous Studio 54 birthday party, and was playing live while Bianca Jagger entered on a white horse which made all the newspapers the following day around the world. He was known for playing underground alternative music as opposed to the disco hits that were dominating the nightclub scene. Come listen to Nicky school us on how it all began from pre disco, how he survived through The Drugs, The HIV Era, the friends that he lost along the way and the music changing constantly. He also touches on his comeback in the 1990s after leaving the music behind since 1981. It’s a very moving episode.

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=========================================
► DESCRIPTION:
LENNY FONTANA & D-TRAIN - WHEN YOU FEEL WHAT LOVE HAS
I am so excited to share this.. with all of you... #36 in the TOP 40 Billboard Mainstream Indicator Chart. Lenny Fontana FT. D-Train When You Feel What Love Has.. Thank you all for the support. More Work to be done.. Work until its time to stop... Ain't No Stopping US Now.. You can purchase and help support at your favorite stores:

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► CREDITS:
Catalogue: KPR 0162
Label: Karmic Power Records
Labelcode: LC-51694
Artists: Lenny Fontana & D-Train
Track: When You Feel What Love Has
Producer: Lenny Fontana,
Written: Lenny Fontana, James Williams, Fil Straughan
Vocalist: James Williams, Fil Straughan (Background Vocals)
Engineered by: *Big Joon™, **Louie Guzman
Mastering & Artwork by: Twism
Studio: Karmic Power Studio
Video: Louie Guzman
Publishing: Karmic Power Publishing (ASCAP), Memory Lane, Veras Child Publishing
Copyright: Karmic Power Records
Barcode: 5054281341425

ORIGINAL MIXES:
Original Mix - ISRC: QM-HDW-13-00403
NYC Deeper Dubb Mix - ISRC: QM-HDW-13-00404
Instrumental Mix - ISRC: QM-HDW-13-00405
NYC Deeper Dubb Instrumental Mix - ISRC: QM-HDW-13-00406
Radio Edit - ISRC: QM-HDW-13-00407

REMIXES PART 1:
Klubjumpers Extended Remix - ISRC: QM-HDW-13-00466
Francois Remix - ISRC: QM-HDW-13-00467
TWISM & B3RAO Heritage Remix - ISRC: QM-HDW-13-00468
Leon Wolf & Niko De Vries Remix - ISRC: QM-HDW-13-00469

RADIO MIXES:
Klubjumpers Radio Mix - ISRC: QM-HDW-13-00462
Francois Radio Mix - ISRC: QM-HDW-13-00463
TWISM & B3RAO Heritage Radio Mix - ISRC: QM-HDW-13-00464
Leon Wolf & Niko De Vries Radio Mix - ISRC: QM-HDW-13-00465
Radio Edit - ISRC: QM-HDW-13-00407
NYC Deeper Radio Edit - ISRC: QM-HDW-13-00434

LICENSING REQUESTS: [email protected]

TRUE HOUSE STORIES™ W/ D.C. LARUE # 005
This weeks edition we bring you the vocalist producer and writer, DC Larue. He is a true diamond from the disco era and he was blessed to be involved with many different artists such as the Disco Queen Donna Summer and to work alongside huge industry giants such as Neil Bogart the owner from Casablanca Records. His story is the who's who of the disco industry and here shares how his iconic release "Cathedrals" came to life.

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BUY: http://smarturl.it/PayThePrice
KPR 016
Artist: Lenny Fontana
Track: Pay The Price
Label: Karmic Power Records
Copyright by Karmic Power Records

Release Date: 07.04.2014
Original Mix
Instrumental Mix

Lenny Fontana is bang on the money this time round with his brand new single "Pay the Price".
A thumping rhythmic workout for the dancefloor with a feeling reminiscent of old school Prince. Mixes in the bag already are the Original and Instrumental both which show off an infectious brass builds with a great vocal throughout on the Original Mix and some great drum selections so your sure to get your money's worth. Make sure you check out "Pay the Price" at all costs!!

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TRUE HOUSE STORIES™ W/ ASHLEY BEEDLE # 037 - PART 2
In this second part Ashley takes us behind the scenes of meeting Norman Jay at The Notting Hill Carnival and starting to be booked at his first solo DJ gigs. He explains how “New Jersey Deep” was created and the feeling of hearing his records played at Sound Factory in New York City with DJ Frankie Knuckles thanking him for making such a great record. He also has his first chart super hit with Talking Heads lead vocalist David Byrne with the song called “Lazy” and being invited to perform on Top of the Pops.

✭ VIDEO TIMELINE ✭
0:00 Reggae Soundsystem Life Discussed – Saxon Soundsystem
2:09 Notting Hill Carnival – Palace Square
2:45 Meeting Norman Jay – The Good Times Soundsystem
3:26 Shock - First Soundsystem to play house music
4:27 Mr C and the first house records
5:30 Jazzy M and writing his book
6:08 Croydon Back in the day and Vinyl Zone Record Shop
8:15 Muswell Hill Shock Sound System Vs Jazzy B Soul 2 Soul
9:29 The Dub Plate's first Dropped “Keep On Movin”
10:40 A young James Lavelle finds the music business
11:47 No Photo or video footage
12:25 Box Boy apprenticeship and learning to become the DJ and work the crowd
14:22 Solo DJ Gigs begin at Queens meeting X-Press 2 , Andy Weatherall, Terry Farley
16:00 Balearic Music - Dj Alfredo - Kenny Loggins
18:12 The Wag Club becomes The Brain Club
18:36 US Garage Music. Movin Records, Tony Humphries, Frankie Knuckles, Kerri Chandler
19:45 Tony Humphries Cassette Tapes
21:00 Jamaica Queens
22:18 Bobby Konders
31:00 Collaboration begins on a new song called Music Express
32:00 Fabi Paras drops the dubplate
33:50 New Jersey Deep and the back story of the sample of Wood Brass and Steel
35:47 Rock and Soul Shop, Walter Gibbons
36:36 Kenny Dope and Louie Vega at Hard Times
37:10 new single of MAW called Mattel
38:23 The Nervous Track
38:59 Giles Peterson – Nuyorican Soul Album
41:27 Ricky Morrison – Catch A Groove Records
46:30 Lazy – David Byrne Talking Heads back story
51:30 Top of the Pops Performance
53:10 The Mavis Album
55:30 Moton Label – Dave Jarvis
56:40 Worldwide FM
57:13 Stepping back from the music
57:44 The Beginning of F-Star Clear & Ramrock Records
59:00 The new studio North Street West
1:00:00 Reforming Black Science Orchestra 29 years later
1:02:00 Clearing Samples
1:03:00 The new vision and sound of BSO
1:04:00 Making the move to London and New York
1:05:00 The gigs in USA
1:08:40 Post Covid and what the future holds
1:09:30 What are you using in your studio kit these days
1:11:00 The Current Vinyl Business
1:13 :00 The Vinyl pressing and the mastering
1:18:00 Wrapping up
1:20:00 Jo Wallace speaks about keeping it altogether
1:25:00 The End

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TRUE HOUSE STORIES™ W/ DERRICK MCKENZIE # 026 - PART 1
Derrick McKenzie you would probably initially tune in to hear about his Jamiroquai fame, but ’True House Stories’ reveals so much more about the man behind the drums of one of the world’s greatest bands in the history of music.
Learn how Derrick first picked up his mum’s coat hangers at the age of 5 years old and started to rock out a rhythm. His dad’s music was pivotal to the music he grew to love. Still rocking the coat hangers at the age of 10, he started a band with his friends and practiced relentlessly with coat hangers on his mum’s stool which he used as a makeshift drum kit.
Derrick had an amazing talent for rocking a rhythm, self-taught he played purely by feeling the vibe and practiced religiously to perfect his techniques. At the age of 15 he joined a band ‘Pure & Simple’ and pulled in his first semi pro gig. He continued with this band for a couple of years working a lover’s rock style - soulful style with an old school reggae vibe which really set the foundation for Derrick’s future in the music industry.
As any parent would dread, Derrick asked for a drum kit, and was told to get a job and buy it himself. Determined Derrick, went off to work at Marks & Spencer, and he managed to fulfil his dream, saving £400 and purchasing his first basic drum kit.
During the 80’s, Jazz funk became Derrick’s new genre of choice having discovered bands such as Incognito, Brand New Heavies, Beggar & Co. Derrick joined a band called ‘Tranzyence’. Disco was in his veins though, Derrick had a real love for funk deep down in his soul and was inspired by bands such as Blood Stone, Brass Construction, Donald Byrd, Patrice Rushen.
Up against more popular genres, Derrick still hadn’t quite hit the success he was destined for. It was a tough getting gigs as Derrick was still very young and inexperienced, but he never gave up. He continued to feel that overriding passion for drumming, continuing to work early shifts to ensure he could always make time to practice drumming in the afternoons.
Determined to follow his dream, Derrick joined ‘Candyland’ -5 piece indie dance band who worked hard to get gigs, sending demos to record labels and music mags and pulled in a weekly residency at a club in London. The band recorded an album which resulted in a 5-week tour across America. At this point Derrick thought he had finally made it in the industry, still not knowing what his future held.
Moving on to a pop band ‘Freaky Realistic’, lasting 6 months , he then joined ‘Urban Species’ a rap outfit signed to ‘Talking Loud Records’ where he toured the UK and Europe as part of the rhythm section. Not completely feeling the hip hop vibe, Derrick landed himself an audition for a band he had never heard of. A band that would change his life forever.
After 2 long days of auditioning, Derrick was invited to became the drummer for the incredible band ‘Jamiroquai’.
Watch this truly remarkable show and hear what the future plans are for Jamiroquai, learn about how Derrick has continued to work during lockdown and remain a very significant name on the scene by working for Mi-House Radio and producing his own disco / funk music and collaborations with other amazing producers in the music industry.
Derrick McKenzie is a ’True House Stories’ legend. Always determined to follow his dream and never giving up hope, he is an inspiration to us all.

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Lenny Fontana on tour in Japan around 1993-1994 amazing time in Japan one of the best soundsystems and best clubs of its day. Shadowed from the ideas of Paradise Garage many of the legendary US Dj's played such as Larry Levan, Francois K, Mark Kamins and many others to name.

TRUE HOUSE STORIES® W/ BOBBY SHAW # 103 INTERVIEWED BY LENNY FONTANA

Bobby Shaw's start in dance music began in 1977 as a bartender in the highly successful discotheque, The Barefoot Boy. There he became close friends with DJ Tony Smith and was fortunate to experience and hear the likes of disc jockeys Roy Thode, Vince Michaels, Larry Sanders, and Wayne Scott, to name a few. During this tenure, he also got to know dance promoters such as Ray Caviano, Ken Friedman, Billy Smith, Alan Mamber, Starr Arning, and Rita Heyer.

In 1978, Shaw's passion for music led him to seek a job within the dance community and he was able to land a mail room position for Ray Caviano at TK Records. While at the label, Shaw assisted on notable acts as Voyage, Peter Brown, The Ritchie Family, T Connection, Beautiful Bend, KC and The Sunshine Band, Jimmy "Bo" Horne, Anita Ward, and Bobby Caldwell.Bobby's old mentor, Ray Caviano, was rewarded with a custom dance label, RFC Records, which was distributed through Warner Bros. Records and Shaw joined him in 1979 as a regional promotion person. Although Caviano was later dismissed from his role, Shaw stayed on at WB until 1984.

While there, he promoted future dance music classics from Gino Soccio, Change, Kraftwerk, Laid Back (discovering and mixing the classic 12" White Horse), The Time, Prince, Chaka Khan, Patti Austin, Janice McClain, Stargard, Talking Heads, and the Tom Tom Club. Perhaps most noteworthy though was his relationship with Madonna as he helped guide her through the early stages of her career with Michael Rosenblatt and Mark Kamins. Shaw helped set up Madonna's early club gigs and was her promotion person for the early masterpieces Everybody, Physical Attraction, Holiday, and Burning Up. In 1984, MCA Records' executives Richard Palmese and Jheryl Busby took notice of Shaw's work at Warner Brothers and they created a national dance music promotion manager's position for him.

He remained there until 1998 and during that time span he became the first corporate vice president of dance music promotion at any label. Shaw's experience was the backbone for bringing such luminaries as Elton John, Patti LaBelle, Dan Hartman, Bronski Beat, New Edition, Stephanie Mills, Fine Young Cannibals, The Jets, Londonbeat, Colonel Abrams, and Tracy Lords to the dance floors of the world. In addition, Shaw became the only record company executive to ever win the AIR competition as he took that honor in 1986.

In 1999, Shaw started his own promotion company, Bobby Shaw Promotions and he is doing it still today. As well he is involved with a Weekly Twitch Show under the name BobbyPromo. His shows are quite delightful and each show is like a history lesson when you listen to the music he chooses and you experience watching him.

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TRUE HOUSE STORIES® W/ SAM DIVINE # 104 INTERVIEWED BY LENNY FONTANA

Sam Divine is a DJ that knows exactly what to play and when to play it. The hours she spent rifling through vinyl in the warehouse of Chemical Records, where Sam once worked as a house buyer, gives her an insurmountable understanding of the genre. Having played nearly every club in Ibiza – including residencies at Ushuaia, Amnesia and Sankeys – and landed at top-end festivals, there are few who can offer a house music education like Sam Divine. Last year, she racked up over a hundred gigs and is well on track to exceed that in 2017, having already hit up the likes of Europe, North America and Asia. And her reputation for energising a dancefloor has been acknowledged by her inclusion in Pete Tong’s Selector Series for Radio 1.

A late starter, Sam took up DJing at 21 – learning to mix in her mum’s garden shed. Her breakthrough came soon after with a DJ competition and landed her first residency at a club in Weston-super-Mare, where she was also the main booker, while also working in record stores. In 2005, after swapping Bristol for Ibiza, Sam became a vital component of San Antonio’s west end (where this year she makes a triumphant return as a resident for Defected at Eden) and has spent every season on the White Isle ever since. During this time, Divine also began working with Defected, who in 2009 signed her to their artist roster.

A weekly warm-up at Mambo ensued, opening for legendary names like Kenny Dope and Frankie Knuckles, as well as hosting the weekly Defected Radio show that currently holds the #2 spot on iTunes in the UK Music Podcasts chart. The real turning point, however, came when she played We Are FSTVL in 2013. “I dropped a mix the night before and everyone went mad for it; the tent went from nothing to one-in-one-out within half an hour,” she explains. “After that, the bookings just went nuts.”

With her tireless work ethic, this summer, Sam will play Tomorrowland, Eastern Electrics, Defected Croatia, SW4, and Creamfields. This year also marks the 10-year anniversary of La Vita, the annual DJ charity night that she helped to launch and has so far raised £35,000 for Breast Cancer Research. Sam also launched her own label D-Vine Sounds back in 2015, which this year she will showcase with a stage at We Are FSTVL, dates in Ibiza and a boat party at Defected Croatia. Recently, Sam has also begun to flirt with production; her first major release, a remix of garage anthem ‘Flowers’ with production partner Curtis Gabriel, hit #1 on both Traxsource and Beatport. Last year’s ‘Confessions’ was her first release on Defected, while her ‘Sam Divine In The House’ compilation featured further productions and went #1 on iTunes’ Dance chart.

This summer she dropped ‘In Da Nation’ EP with Cassimm on DFTD. Sam Divine’s work ethic has seen her more than earn her stripes on the scene. A dedicated army of fans now spreads across the globe as her uplifting house sets captivate audiences everywhere she takes to the booth. With an unwavering love of music and tireless dedication to her craft, Sam is living proof you can achieve pretty much anything you set your mind to – and no one can hold her back.

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TRUE HOUSE STORIES™ W/ RICHARD EARNSHAW # 043 - PART 2
Richard Earnshaw explain the process of production and how he goes about making new tracks. You will catch the story behind his first signed production to Soulfuric Records called "People Are People” and the difference of running a record label in the streaming age versus the golden era of vinyl. His production plans for the future and the process of picking productions from other producers to sign to Duffnote Records. 
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TRUE HOUSE STORIES W/ ERIC MARTIN (TECHNOTRONIC) # 064 - PART 1
Eric Martin one of the co-founders of Technotronic shares with us in this episode what life in the UK was like in the 1980’s and 90’s. He speaks candid about surviving on the streets of London and his quest to make a better life for himself through music. He would spend countless early mornings talking to bouncers, DJ’s and dancers coming out of the night clubs to learn about the music business and how to work in nightlife. He hooked up with DJ Jaffa who gives him a helping hand to getting one of his first deals done that starts to get him in the musical production direction. He explains about the sampling issues and the problems that arose in the beginning and working with the early midi studio technology. Eric explains the theory of how hip hop runs in parallel with early house music.

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TRUE HOUSE STORIES™ W/ NICKY HOLLOWAY # 040 - PART 1
Nicky Holloway’s connection with music began as soon as he was born.
Growing up on a boat and witnessing bands such as Pink Floyd playing live, Nicky got into DJing and started his own events in 1985 at The Royal Oak with Giles Peterson and Pete Tong as his residents before they became super DJs. Nicky was renowned for his events in quirky venues such as the natural history museum, London zoo to name just a few.
Nicky talks about his experiences in Ibiza with Danny Rampling and Paul Oakenfold and playing at venues such as Cafe Del Mar before Ibiza became popular. Hanging out with Bono from U2, Kylie Minogue at the Milk Bar, Nicky was the first event promoter to bring Todd Terry and David Morales to the UK. Nicky was always one step ahead of the game. Hear how he was able to put on a surprise show with Sister Sledge whilst they were touring in the UK.
Irvine Walsh asked Nicky Holloway, Paul Oakenfold and Danny Rampling to be part of a film about Ibiza - how did it all go so wrong?

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=========================================
► DESCRIPTION:
DANIELE SEXXX FEAT. PAULA P´CAY - LIFT ME UP
Lift Me Up is being played by DJ's who where serviced early on the Todd Terry's Remix and Lenny Fontana's Remix. The support on this gem has been overwhelming and we believe that this song has the makings of becoming a dance floor anthem. This is House Music at full effect. DJ Producer Daniel Sexx has been writing and producing house and hip hop since the 1990's with splendid success. With the help of Karmic Power he was able to team up with Romanian Born Vocalist Paula P'Cay from Berlin Germany. Paula has had commercial success with The Love Parade Anthem back in 1999 “Music Is The Key” Produced by Dr. Motte and Westbam. Her philosophy is, “Music is her life”, and she transports those strong feelings of Love and Happiness to the people through her vocal talent. So with “Lift Me Up” please play it loud and say it, so that the people can be lifted to whole other place. Thank You For Your Support on this.....

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► CREDITS:
Catalogue: KPR 029
Label: Karmic Power Records
Labelcode: LC-51694
Artists: Daniele Sexxx Feat. Paula P´Cay
Track: Lift Me Up
Producer: Sesso Daniele
Written: Sesso Daniele, Paula Popescu-Kehnen
Publishing: Karmic Power Publishing (ASCAP), Sesso Daniele, Paula Popescu-Kehnen
Copyright: Karmic Power Records
Barcode: 5054281289475
Original Mix - ISRC: QM-HDW-13-00092
Instrumental Mix - ISRC: QM-HDW-13-00093
Todd Terry Remix - ISRC: QM-HDW-13-00094
Lenny Fontana Remix - ISRC: QM-HDW-13-00095
Lenny Fontana Instrumental Remix - ISRC: QM-HDW-13-00096
Todd Terry Radio Mix - ISRC: QM-HDW-13-00098

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TRUE HOUSE STORIES™ W/ E-SMOOVE # 016
In this show, Lenny Fontana is joined by Chicago’s House Legend - E Smoove for a no holds barred interview on becoming a successful DJ and Producer in the heart of the House Capital - Chicago. He tells it all from the humble beginnings to his rise to fame and the artist pseudo names like "Thick Dick" on Subliminal Records. Listen to him tell the stories of working on remixes for Michael Jackson and many other countless pop artists. Expect the shocking truth about record deals, the competitive world of dance music in Chicago and how to make a name for yourself in the music industry.
Warning: This is a very raw, honest and open interview that will blow your mind!!

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TRUE HOUSE STORIES™ W/ MOUSSE T. # 058 - PART 2
Mousse T forms a band with long time business partner from the UK Erroll Rennalls. As they have moderate success with Pop House Music, this is the beginning of them forming the label Peppermint Jam. As the label unfolds and Mousse T sound grows in popularity, he is summoned more and more to remix many A List Pop Stars such as Quincy Jones, Jovanotti and one being Michael Jackson. As he will explain from Michael Jackson's Remix that this is the blueprint that becomes the song "Horny." He also shares how he meets Tom Jones and how "Sex Bomb" was created and written. Make sure to listen to how Mousse works on his productions and the DAW he is using.

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TRUE HOUSE STORIES W/ FREDDY BASTONE # 063 - PART 2
Danceteria legend DJ Freddy Bastone shares what the NYC Club life was like back in the 1980s. His work in the studio remixing during the day earns him the gold and platinum awards for his special Bastone remixes. Freddy also gets to work on one of the greatest bands of all time Queen and meets his hero Freddie Mercury. He talks candid about his friendship with Larry Levan, Bob Caviano and Larry Yasgar and all the records he helped signed as an A&R for the labels he had personal relationships with. The interview is a deep discussion and nothing is held back.

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TRUE HOUSE STORIES™ W/ GREG WILSON # 023 - PART 2
Greg Wilson (born 1960) is an English DJ and producer associated with both the early 1980s electro scene in Manchester and the current disco / re-edit movement. He's also a writer / commentator on dance music and popular culture.

1993–2003
The following decade was something of a wilderness period for Wilson, but in 1994 he revisited his electro-funk past, compiling the Classic Electro Mastercuts album. This would generate a small number of DJ bookings, his first in 10 years, in promotion of the album.
In 1996, he was part of a collective of DJs and musicians who promoted a series of nights called The Monastery in Birkenhead, Liverpool and London. A mix, The Monastic Mix, was the last he ever put together on reel-to-reel.

2003–present
DJ comeback
Alerted by the lack of documentation of the specialist black music scene that had helped shape contemporary dance culture, he announced the website electrofunkroots.co.uk in 2003. The site documents the early '80s era, what led up to it and what came out of it. Offers of DJ bookings followed and on 20 December 2003 Wilson made his DJ comeback at a night called Music Is Better in Manchester club The Attic. This was the launchpad that re-ignited Wilson's DJ career 20 years on from his retirement. As his popularity increased, he appeared throughout the UK, Europe and the world, gaining newfound followers from a new, younger generation of clubbers.
In 2005, his re-edits compilation Credit to the Edit, released on the Tirk Recordings label, was the catalyst for his international success, helping to establish him, once again, as a scene leader.
Apart from working as a DJ and remixer, Wilson has written on various aspects of dance / black culture with articles published in magazines / webzines including Wax Poetics, Clash, Grand Slam, Strobelight Honey and Discopia. His Discotheque Archives series for DJ Magazine ran for 25 editions between 2016-2018.
His blog, Being a DJ, was launched in June 2010, and his observations on various aspects of club culture are now an online touchstone for dance music enthusiasts. Wilson has also been interviewed for a number of books, TV and film projects focusing on the history of club culture.

Musical output
Credit to the Edit Volume 2 was released in November 2009, with tour dates throughout the following months in the UK, Europe, Japan, Australia and the U.S. to promote the album. The series returned in April 2018 with Credit to the Edit Volume 3 and during that year Wilson became more active in the studio, working on various remix and re-edits projects, including some collaborations with his son Ché Wilson, the first of which to be released was a remix of "Out the Window" by Australian band Confidence Man, released on Heavenly Records.
Wilson has produced a series of documentative podcasts, Time Capsule, Random Influences and Early 80s Floorfillers, as well as the long-running blog series, Living to Music, where people were encouraged to listen to a monthly album selection in their home environment. This served to influence other related listening events, including Colleen Murphy's Classic Album Sundays audiophile sessions.
Commencing in 2009, Wilson had built a strong following on SoundCloud with regular uploads of DJ mixes, mainly live recordings, with over six and a half million plays up to 2019.

In addition to his DJ work, Wilson has given talks on music and dance culture at numerous events including Afro Modern at Tate Liverpool, Vintage at London Southbank, Salon at Standon Calling and Festival N°6 and alongside legendary figures Nile Rodgers and Giorgio Moroder at ADE in Amsterdam.
Source: Wikipedia

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TRUE HOUSE STORIES® W/ CINIMIN # 112 INTERVIEWED BY LENNY FONTANA

Born and raised in the small town of Benoni, South Africa, The Cassim brothers Kyle and Austin have been obsessed with House music since they were young boys. Growing up in a household driven by dance, disco and house music it was inevitable that they would become Djs. But being a Dj wasn’t enough - they wanted to play their own music - music that they believed in, music that awakened their souls. Thus, in 2015 CINIMIN was born.

A House music duo that would headline the likes of Ultra South Africa, H2O Africa, Rage Festival, Sabor Festival (Mozambique) and close to all night-clubs and events in Southern Africa. In the last 4 years they have won a DMA (Dance Music Award) for ‘best dance record of the year’ and they have had not one, but 4 top 40 radio hits. Their recent hit “DURO” reached number 6 on the national top 40 on 5fm - South Africa’s most loved commercial radio station.

There are many dance Djs and producers around the world, but what makes CINIMIN really stand out is their infectious energy and passion on stage. Whether they are playing to 50 people or 14000 people, they have this way of connecting with the crowd. Their synergy and relationship behind the CDJs is unmatched. The way they move in synchronicity and play with the crowd is something you have to witness in person

If you have ever heard a CINIMIN record before you would know that it was made with one purpose in mind - TO MAKE PEOPLE DANCE! Every track that the boys write is made with the intention to make the dance floor shake!

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TRUE HOUSE STORIES W/ JABIG # 074 - PART 1
JaBig shares with us his life as a young man in Africa and making the transition of moving to Canada. His DJ career begins with teenage dances and two stereos. He teaches himself the art of blending vinyl, CD’s and cassettes. The most important part in the beginning of his music journey was the selection of music. He always wanted to have all the right music that would make the people happy. This he feels is his strongest asset as to why people love his mixes on Youtube. He so well loved on the internet come listen to why he has made it.

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