Producer / Remixer / Audio Engineer - Lenny Fontana
Wants to show you the techniques of what it takes to be a proficient Audio Engineer.
Check him out at www.lennyfontana.com

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TRUE HOUSE STORIES™ W/ FRANKIE FONCETT # 046 - PART 1
We are joined by the legendary London UK Dj Frankie Foncett. His Caribbean roots come from the island of Trinidad. His start in music was in the 1970s being introduced to groups such as Commanded, James Brown and the JB's, Bob Marley and Marvin Gaye. His cousin Tony had a huge hand in helping Frankie learn about disco, bringing mix tapes back from New York City Radio Station, Disco 92 WKTU with DJ Ted Currier in the mix. Frankie also talks about how important Reggae sound was in the days of the early night clubs and how the music with its heavy bass lent to the excitement of the Carnival sound and the dub culture. Rapper Kurtis Blow, DJ Davy DMX was also a huge inspiration with his hip hop mixes around 1982 with his style of cutting and scratching. During this time this is where he meets a young DJ Paul Trouble Anderson who at the time was known as "Trouble Funk". Frankie begins as the warm up dj at the Electric Ballroom for Paul Trouble. As his time in London starts to begin in the music business he picks up jobs at record shops and ends up at Black Market Records and here he becomes famous with all the DJ's of the time being able to take care of them with their rare grooves.

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TRUE HOUSE STORIES™ W/ BEN LIEBRAND # 024 - PART 1
‘True House Stories’ of Ben Liebrand with Lenny Fontana gives a fascinating insight about how the music scene has advanced since the 1980’s and the reasons why.
Ben Liebrand grew up in the Netherlands and played such a huge role in the way the music scene advanced and continued to build over the next 4 decades. Learn in this interview about how Ben’s fascination for technology and amazing ear for music and why it was so pivotal in the advances in DJing and music production.
Ben’s passion for technology and belief on creating his music from scratch without the involvement of external input is the reason he is so creative and has led to over 800 incredible productions and remixes.
This is a truly fascinating interview about Ben’s input in changing the entire music scene helping it to progress throughout the last 40 years and still be pivotal to today’s sound.
Discover how Ben Liebrand’s career started by chance in a club in 1978 and how he progressed very quickly to playing peak slots in clubs in Holland due to his discovery of beat matching which is still how DJs play today. Discover how Ben worked on remixes with amazing bands such as Salt n Peppa, Pet Shop Boys and Human League. Lenny Fontana uncovers the story of how Ben Liebrand’s skill for beat matching led to DJing on Dutch radio and how this new technique was so pivotal to how music is played on radio and in clubs to this day.
Ben explains the differences between producing original tracks versus remixing, and his stance on different genres of music throughout his lifetime.
Ben fully embracing digital progression and gives his about his opinions about analogue versus digital evolution. Such a huge instigator due to his never-ending excitement for advances in technology and equipment, Ben explains his excitement about why he embraces this.
Ben has been working in the industry for 42 years now and it is clear to see how he played such a huge part in the evolution of music taking us through 4 decades of multiple musical genres and hoe he adapted to these changes but has also experienced many pitfalls along the way. Tune in to find out all about these tough times and how Ben is still such a huge leading figure in the industry.

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Thomas is the founder of Tommy Boy and has served as Chairman and Chief Executive Officer since 1981. He has over 44 years experience in the dance, hip-hop, urban, alternative, dance, rock, and gospel music markets. In 1978 he founded Dance Music Report, the preeminent newsletter for DJs for over 15 years. Tom was a founder of the legendary New Music Seminar, the world’s seminal music industry convention through the 80’s. He re-launched the New Music Seminar in 2009 to introduce the new paradigm for an emerging new music business. He founded Tommy Boy in 1981, the original pioneer label in the hip hop movement with artists such as Afrika Bambaattaa, De La Soul, Digital Underground, Queen Latifah, Naughty by Nature, House of Pain, and Coolio. TommY BoY led the Electronic Dance movement with Information Society, 808 State, LFO and Coldcut and later launched the careers of Bob Sinclar and Gucci Mane. In 2017, Silverman reacquired the original Tommy Boy catalog from the Warner Music Group and tripled its revenues in four years before selling to Reservoir Media in 2021. He continues to run Tommy Boy Entertainment and controls the Tommy Boy brand and logo.

TRUE HOUSE STORIES® W/ GEORGIE PORGIE # 106 INTERVIEWED BY LENNY FONTANA

There’s a certain type of DJ/ artist to emerge from Chicago, having been raised around the rawest and purest forms of House and Dance music. These roots cement themselves within the cities‘ residents, and form a continual source of inspiration for those who seek it.

George Andros or Georgie Porgie or GP as he is known across the globe, is no exception. An accomplished DJ, Artist, hot singer songwriter, record producer, an independent dance music recording mogul and one of the hottest dance-music remixers to emanate out of Chicago, Illinois. There is no disputing the fact that Georgie Porgie is a multi-talented international recording star who owns the longest running dance labe in America! Georgie’s contributions to the Dance industry earned him the title of “The Ambassador of Dance Music.” Billboard Magazine in 2010 named Georgie Top 10 Dance artist of the Decade.

He has had over 35 #1 records in over 18 countries and has sold millions of records through out his career! Georgie has produced and remixed some of music’s most prolific names including Michael Jackson, Spice Girls, Janet Jackson, Barbara Tucker, Mary J. Blige, Dawn Tallman, Linda Clifford, The Chi-lites feat. Marshal Thompson and Suzanne Palmer to name a few. His own productions like “Life Goes On”, “Love Is Gonna Save The Day”, “Sunshine”, “Can You Feel The Sound” , “Love One Another” and many more have earned him Global success!

His Mix Show can be heard in over 20 Countries around the World! Currently he is touring the World as a DJ and a Singer which brings a whole new element to the decks and stages. Very simple...Georgie is the REAL DEAL! Come check out him share his life with us on True House Stories….

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TRUE HOUSE STORIES W/ JON MANCINI # 076 - PART 1
Jon Mancini is Scotland’s most well-known house DJ. He was the key to the successful Street rave parties at the Ayr Pavilion back in the early 90’s. He then moved on to the short lived but legendary Kitsch club nights. He now resides at the Arches for all the Colours events. He has played alongside every name DJ that the UK has to offer & has featured on Pete Tongs Essential Selection with a few guest mixes. Jon hosted the Colours Mix on Friday nights for 3 years on Radio Clyde, and is, in our opinion the best dance radio presenter in Scotland.

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TRUE HOUSE STORIES™ W/ MARK RILEY # 052 - PART 1
Mark Riley is an American journalist, come watch and listen on how he shares with us his humble beginnings finding a whole new life in the New York City night club scene from the very early days as a young man. He explains in this episode his day-to-day responsibilities as a radio journalist at WLIB. Mark is introduced to David Mancuso’s The Loft from fellow close friends and from there his whole musical life changed. The way he heard music and experienced it would never be the same. He became lifelong friends with many that frequented the same clubs he did. At The Loft he meets another young DJ that changes the scene forever Larry Levan. Listening and watching Mark explain everything is like a who’s who, and history lesson all wrapped up in one.

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=========================================
► DESCRIPTION:
DANIELE SEXXX FEAT. PAULA P´CAY - LIFT ME UP
Lift Me Up is being played by DJ's who where serviced early on the Todd Terry's Remix and Lenny Fontana's Remix. The support on this gem has been overwhelming and we believe that this song has the makings of becoming a dance floor anthem. This is House Music at full effect. DJ Producer Daniel Sexx has been writing and producing house and hip hop since the 1990's with splendid success. With the help of Karmic Power he was able to team up with Romanian Born Vocalist Paula P'Cay from Berlin Germany. Paula has had commercial success with The Love Parade Anthem back in 1999 “Music Is The Key” Produced by Dr. Motte and Westbam. Her philosophy is, “Music is her life”, and she transports those strong feelings of Love and Happiness to the people through her vocal talent. So with “Lift Me Up” please play it loud and say it, so that the people can be lifted to whole other place. Thank You For Your Support on this.....

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► CREDITS:
Catalogue: KPR 029
Label: Karmic Power Records
Labelcode: LC-51694
Artists: Daniele Sexxx Feat. Paula P´Cay
Track: Lift Me Up
Producer: Sesso Daniele
Written: Sesso Daniele, Paula Popescu-Kehnen
Publishing: Karmic Power Publishing (ASCAP), Sesso Daniele, Paula Popescu-Kehnen
Copyright: Karmic Power Records
Barcode: 5054281289475
Original Mix - ISRC: QM-HDW-13-00092
Instrumental Mix - ISRC: QM-HDW-13-00093
Todd Terry Remix - ISRC: QM-HDW-13-00094
Lenny Fontana Remix - ISRC: QM-HDW-13-00095
Lenny Fontana Instrumental Remix - ISRC: QM-HDW-13-00096
Todd Terry Radio Mix - ISRC: QM-HDW-13-00098

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TRUE HOUSE STORIES W/ JAZZY M # 062 - PART 2
Jazzy M talks about his record shop called OHZone Records and the beginning days of his record label. He also shares the background story of Richie Rich "Salsa House" and the signing of Orbital "Chimes" to his label OhZone. Jazzy shares the background story of Ministry of Sound and him being a big part of the start of it all. He sets the record straight in so many ways. Grooverider renamed Jazzy, "The Godfather Of UK House" The story is deep and full of so much rich dance music history.

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TRUE HOUSE STORIES™ W/ E-SMOOVE # 016
In this show, Lenny Fontana is joined by Chicago’s House Legend - E Smoove for a no holds barred interview on becoming a successful DJ and Producer in the heart of the House Capital - Chicago. He tells it all from the humble beginnings to his rise to fame and the artist pseudo names like "Thick Dick" on Subliminal Records. Listen to him tell the stories of working on remixes for Michael Jackson and many other countless pop artists. Expect the shocking truth about record deals, the competitive world of dance music in Chicago and how to make a name for yourself in the music industry.
Warning: This is a very raw, honest and open interview that will blow your mind!!

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TRUE HOUSE STORIES™ W/ BIRDEE # 033 - PART 1
By no means a newcomer – but a fresh face on the disco scene, over the course of the last decade Birdee has been extremely active in the dance music world – playing the most prestigious venues and festivals around the globe, collecting support from the world’s biggest players, and even picking up an award for Best Breakthrough DJ at London’s Fabric.
His music is supported by a veritable who’s who of dance music: DJs as diverse as Groove Armada, Purple Disco Machine, Horse Meat Disco and Claptone have all been spinning his tracks, while radio support has also been outstanding – as a matter of fact, Pete Tong recently opened his show with Birdee’s most recent single Start The Weekend.
Birdee began his career producing Breakbeat tracks and his first visit to the London at the music & Media exchange was a turning point in his career, when he began DJing.
His 1st disco track was signed by Andy Williams and since then Birdee has had many more immense tracks signed to prestigious labels such as Midnight Riot and Seamus Haji’s Big Love.
Birdee currently has 4 tracks in Traxsource Top 100 Nu Disco chart and has held on to #1 position in the chart with ‘What You Need’ for the past 2 weeks.
Hear about how Birdee has survived over the pandemic and what he has in store for us all from his time spent in the studio during lockdown. Expect many more superb remixes and original releases from this incredible producer coming out very soon, so watch this space! Birdee is on point and is rocking the Nu- Disco scene with his music and hopes to travel the world to DJ again, once lockdown is over.

Video Chapter:
0:00 Welcome to True House Stories with Birdee
2:38 Who has the best food? Italy, Japan or America
5:10 How did music find the young Birdee
10:25 How big was the italian disco house scene
16:00 The real name of Birdee

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TRUE HOUSE STORIES W/ CRYSTAL WATERS # 071 - PART 1
Crystal Waters a true icon in house music speaks about her humble beginnings from a young child and being exposed to some of the greatest musicians because of her dad who was a famous jazz musician. She toured with her dad as a young artist and was able to get an education of what it is like to be an artist. As she finished college she takes a job with the State, at the Parole Board. Hungering to write music she hooks up with a keyboard player and they begin to start writing demos on a 4-track recorder. She then proceeds to go to a music conference in her hometown and is attracted to the Basement Boys because of their leather jackets that they were sporting at the time. She hands them her cassette demo and the rest is history. "Gypsy Woman" is created and a deal is signed. Crystal shares with us how her life changed from that moment the single dropped and became a huge pop hit.

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TRUE HOUSE STORIES® W/ PAUL IBIZA # 110 INTERVIEWED BY LENNY FONTANA

Paul Ibiza is the man responsible for bringing the world the legendary records label Ibiza Records, he is the promoter that organized cutting edge events Fantastic Ibiza, Jungle Splash and MC Convention to name but a few. More recently Paul aka Digital Niyabinghi has been producing “Jungle Dub” and taking his Digital Niyabinghi Sound System on tour. Although Paul could be labelled as a Producer, Promoter, DJ, Label owner, Paul simply describes himself as an entrepreneur within the music industry.

Paul got started in the rave business in 1988 around the time of events such as Sunrise and Genesis were putting on raves in fields and warehouse in the London region. Although Paul actually got started in 1988 his journey started way before in the early 80’s in the days of Soul II Soul and Paul Anderson among other house and warehouse parties which is where Paul was first influenced by the Reggae and Soul played at these parties then known as or “Blues” or “Shebeens” (Shebeen being the Irish term for an illicit bar or club where excisable alcoholic beverages were sold without a licence). In 1989 Paul was involved in organising the ‘Freedom to Party’ rally in Trafalgar Square which aimed to relax licensing laws in order to allow nightclubs to stay open longer. Paul then started promoting the ‘Fantastic Ibiza’ raves in Goods Way, Kings Cross with DJ’s such as Carl Cox, Colin Dale, Kenny Ken, Grooverider. Many of these weekend long parties were attended by upwards of 3000 people and did not always have an entry fee but rather the money was made by donations and drinks sales.

After the Police attention was getting excessive due to overcrowding both inside and outside the venue in Kings Cross, Ibiza records was born in 1989 after Paul went to the Balearic Island of Ibiza and ended up breaking his leg. While Paul was immobile he started learningPaul Ibiza how to produce music using Cubase on the first Ataricomputers capable of sequencing music along with an Akai S950 sampler and Spirit mixing desk.

Soon Ibiza Records would set up their offices and studio in Hornsey, North London. When Ibiza records first begun they were making Techno, Hardcore and House types of music, coupled with Dub & Reggae influences the music now known as Jungle emerged which Ibiza Records was championing along with labels and artists such as Shut up and Dance, Rebel MC, Reel 2 Reel and a Guy Called Gerald. Ibiza Records went on to establish a number of successful spin off labels such as Boxbase, Highly Blessed, Hard Plastic, Three Lions, Kemet, 3rd Party, Limited-E. Paul also opened up a record shop ‘Ibiza Records’ in Kingsland Road, Shoreditch, London in the early 90’s. In 1994 Jungle Splash was born and still continues to this day. Paul’s vision for Jungle Splash was to showcase the best of Jungle music much like an exhibition for the scene. Jungle Splash has moved from many venues over the years such as The Rocket complex in Holloway, Roller Express, The Mass and is currently held at Jamm in Brixton, London. In 2003 Paul promoted the MC Convention event convention under the ‘Highly Blessed’ brand in conjunction with Mc Shabba and Skibadee.

The event met with some resistance from some people that thought putting the focus on the MC’s as opposed to DJ’s was bound to ensure that the event would flop. To the contrary, all tickets to the event at the Stratford Rex sold out and MC Convention toured Birmingham, Cardiff, Southampton and Essex. Paul’s latest innovation is the new sound he calls “Jungle Dub” and has been touring with his own Digital Niyabinghi Sound System which goes back to the roots of Jungle and Dub. The Sound System features artists such as Winston Runtingz, Uncle Dugs, Junior Dangerous, Ragga Twins, Potential Bad Boy, Terry T, MC Moose, Beefy and Daddy Nature and of course Paul ‘Digital Niyabinghi’ himself.

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TRUE HOUSE STORIES W/ PEDRO MONDESIR # 065 - PART 2
In this episode he explains the beginnings of creating the party. Pedro is the head of Hot Stepper Productions with his brother and partner Carlos. Pedro also DJ’s under the pseudonym Moreno. Hot Stepper Productions is one of Toronto's premier club event companies operating for over 20 years. Currently Hot Stepper organizes Toronto's top deep/soulful house event "Garage 416" which has been rockin' it for over 15 years. He also organizes the soulful/funky "Bump N' Hustle" event for the last 18 years and continue to present soulful, jazzy, leftfield, electro, Afro and Brazilian vibes to the Canadian audience.

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TRUE HOUSE STORIES W/ BENNY SOTO # 088 - PART 2
Benny Soto quickly learned, and learned from one of the best; the late, great super promoter Rob Fernandez. “The first big thing we did together was Roger Sanchez at Vinyl. I can even remember the date: 2/2/02. I was learning so much—contracts, dealing with managers, hospitality riders, everything.” Soto continued working with Fernandez until his sudden passing in summer of 2015—but at the same time, he was gaining the confidence to branch out on his own. Danny Krivit was an early partner (2002), teaming up with Soto to launch what became the still-vibrant 718 Sessions; another stone-cold vet, DJ Harvey, was an early accomplice as well. From its inception, until its closing, Soto was an integral part of the promotion and bookings team at the now revered, and recently closed, Output in Brooklyn, NY. The dates started coming fast and furious—flash forward to today, and Soto, who currently spends his time promoting shows around NYC and juggling various independent projects, is in the very top tier of NYC’s party wranglers. So what’s the next step for a guy who’s spent the better part of his life in dance clubs? DJ’ing, of course! “I’ve been going out and listening to DJs for 30 years,” he says, “and after that amount of time, I think you almost have to learn something. You gain a sense of what to do.” But as anyone who has spent time in the DJ community knows, there can sometimes be attitude toward those perceived as usurpers. “Sure, there’s been a bit of controversy, like people asking, ‘Oh, so now you’re a DJ, too?’ I just answer, ‘No. I’m Benny Soto.’ I’ve given my life to music, and this is just another layer of that life.” Nowadays, you can find Soto opening up for superstars or holding it down at after-parties, often spinning back-to-back with his fellow dance-music lifer, Nervous Records label head Mike Weiss. “Very few people have the legacy that Mike does,” he says. “I mean, the Nervous catalog…those were some of the songs that shaped the sound of global club music.” But Soto’s got his own musical identity as well. “I love to play music that feels good to me, that matters to me, that say something to me. Danny Tenaglia said the best thing to me: ‘You have to listen, and you have to find the candy.’ And that’s what I try to do—find music that’s special, that can take you to a different space.” Watch his life for Act 3 “The Final Curtain Call"

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TRUE HOUSE STORIES™ W/ ULTRA NATÉ # 049 - PART 1
Ultra Naté - ultra savvy. Hear Ultra’s take on the covid pandemic from a medical perspective- probably the best outlook on such a troublesome time which has severely impacted the music industry and arts. Ultra Naté lays out how she has evolved to keep in tune with how the future land lies.
Hear about the pitfalls of signing contracts in the music industry and how Ultra has ‘fallen up’ from those times. She shares with us her beginnings from a club kid to singer and locking her first contract down to becoming a superstar in dance music from the late 80’s into the 1990’s

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TRUE HOUSE STORIES™ W/ MOUSSE T. # 058 - PART 2
Mousse T forms a band with long time business partner from the UK Erroll Rennalls. As they have moderate success with Pop House Music, this is the beginning of them forming the label Peppermint Jam. As the label unfolds and Mousse T sound grows in popularity, he is summoned more and more to remix many A List Pop Stars such as Quincy Jones, Jovanotti and one being Michael Jackson. As he will explain from Michael Jackson's Remix that this is the blueprint that becomes the song "Horny." He also shares how he meets Tom Jones and how "Sex Bomb" was created and written. Make sure to listen to how Mousse works on his productions and the DAW he is using.

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TRUE HOUSE STORIES W/ BENNY SOTO # 088 - PART 1
For Benny Soto, it began, as it has for many New York club land veterans, with a visit to 84 King Street in downtown Manhattan. He says, “I had already been going out, but the first clubbing experience that really mattered was the Paradise Garage…just walking in there, it looked different, it sounded different, it felt different. As soon as I walked in, I knew I was home.” For Soto, then a poor kid from the South Bronx, the Garage opened up a whole new world. It was through the club that he met, and befriended, the late Keith Haring, eventually serving as the iconic artist’s studio assistant. It also expanded his aural horizons: “Because of the way that Larry Levan played,” Soto says, “I became more musically open-minded.” But perhaps importantly, the Garage provided an avenue for escape. “Back then, I didn’t have much joy in my life,” he admits, ‘Clubbing gave me a way to get away. Places like the Garage, though they were primarily gay, were so inclusive; it didn’t really matter who you were, what mattered was the freedom that you could find there.” And that feeling—that passion for freedom, both musically and personally—would set Soto on a path that has led to a lifetime in club land. He had no idea that it would also lead to a career, but even in those early days, he recalls, “I was very curious. If I was at a club, I would be checking out the sound and looking at the lights, trying to see how it all comes together -it was like a Broadway show, except the show was the crowd itself.” Eventually he secured a gig doing odd jobs at another iconic address, 6 Hubert Street, only blocks away from the Garage. The spot had once housed Area and Club Shelter; during Soto’s time there, it was Vinyl, home to the iconic Body & Soul. It was Body & Soul resident Danny Krivit who convinced Soto to take the next step. “He said to me, ‘I think you should be a promoter. People like you, and you have great energy. You’d be good at it.’ Of course,” Soto adds, “I had no idea what ‘being a promoter’ even meant!” Listen to him tell you what he learned and how you should be..

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TRUE HOUSE STORIES W/ FREDDY BASTONE # 063 - PART 2
Danceteria legend DJ Freddy Bastone shares what the NYC Club life was like back in the 1980s. His work in the studio remixing during the day earns him the gold and platinum awards for his special Bastone remixes. Freddy also gets to work on one of the greatest bands of all time Queen and meets his hero Freddie Mercury. He talks candid about his friendship with Larry Levan, Bob Caviano and Larry Yasgar and all the records he helped signed as an A&R for the labels he had personal relationships with. The interview is a deep discussion and nothing is held back.

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TRUE HOUSE STORIES™ W/ GREG WILSON # 023 - PART 2
Greg Wilson (born 1960) is an English DJ and producer associated with both the early 1980s electro scene in Manchester and the current disco / re-edit movement. He's also a writer / commentator on dance music and popular culture.

1993–2003
The following decade was something of a wilderness period for Wilson, but in 1994 he revisited his electro-funk past, compiling the Classic Electro Mastercuts album. This would generate a small number of DJ bookings, his first in 10 years, in promotion of the album.
In 1996, he was part of a collective of DJs and musicians who promoted a series of nights called The Monastery in Birkenhead, Liverpool and London. A mix, The Monastic Mix, was the last he ever put together on reel-to-reel.

2003–present
DJ comeback
Alerted by the lack of documentation of the specialist black music scene that had helped shape contemporary dance culture, he announced the website electrofunkroots.co.uk in 2003. The site documents the early '80s era, what led up to it and what came out of it. Offers of DJ bookings followed and on 20 December 2003 Wilson made his DJ comeback at a night called Music Is Better in Manchester club The Attic. This was the launchpad that re-ignited Wilson's DJ career 20 years on from his retirement. As his popularity increased, he appeared throughout the UK, Europe and the world, gaining newfound followers from a new, younger generation of clubbers.
In 2005, his re-edits compilation Credit to the Edit, released on the Tirk Recordings label, was the catalyst for his international success, helping to establish him, once again, as a scene leader.
Apart from working as a DJ and remixer, Wilson has written on various aspects of dance / black culture with articles published in magazines / webzines including Wax Poetics, Clash, Grand Slam, Strobelight Honey and Discopia. His Discotheque Archives series for DJ Magazine ran for 25 editions between 2016-2018.
His blog, Being a DJ, was launched in June 2010, and his observations on various aspects of club culture are now an online touchstone for dance music enthusiasts. Wilson has also been interviewed for a number of books, TV and film projects focusing on the history of club culture.

Musical output
Credit to the Edit Volume 2 was released in November 2009, with tour dates throughout the following months in the UK, Europe, Japan, Australia and the U.S. to promote the album. The series returned in April 2018 with Credit to the Edit Volume 3 and during that year Wilson became more active in the studio, working on various remix and re-edits projects, including some collaborations with his son Ché Wilson, the first of which to be released was a remix of "Out the Window" by Australian band Confidence Man, released on Heavenly Records.
Wilson has produced a series of documentative podcasts, Time Capsule, Random Influences and Early 80s Floorfillers, as well as the long-running blog series, Living to Music, where people were encouraged to listen to a monthly album selection in their home environment. This served to influence other related listening events, including Colleen Murphy's Classic Album Sundays audiophile sessions.
Commencing in 2009, Wilson had built a strong following on SoundCloud with regular uploads of DJ mixes, mainly live recordings, with over six and a half million plays up to 2019.

In addition to his DJ work, Wilson has given talks on music and dance culture at numerous events including Afro Modern at Tate Liverpool, Vintage at London Southbank, Salon at Standon Calling and Festival N°6 and alongside legendary figures Nile Rodgers and Giorgio Moroder at ADE in Amsterdam.
Source: Wikipedia

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